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THE INJURY AWAKES scene soundtrack for THE AERIALIST, written and directed by Ned Farr and starring Dreya Weber.
THE FALL scene soundtrack for THE AERIALIST, written and directed by Ned Farr and starring Dreya Weber.
GHOSTS IN THE ATTIC scene soundtrack for THE AERIALIST, written and directed by Ned Farr and starring Dreya Weber.
RUNA GETS CLOSER scene soundtrack for THE AERIALIST, written and directed by Ned Farr and starring Dreya Weber.
BIG DATA – Fern Van Der Brijn’s personal big data scan. Produced by byVolta.
Music for Zenz Paris + ContinuumDeCom.
Scene from the film ESPION(S) by Nicolas Saada starring Guillaume Canet, Géraldine Pailhas and Stephen Rea, cue co-composed with Cliff Martinez.
Opening title credits for the film ESPION(S) by Nicolas Saada starring Guillaume Canet, Géraldine Pailhas and Stephen Rea. Co-composed with Cliff Martinez.
Main theme for the end credits of THE GLOWING HOURS by Paul Young starring Maya Beresford, Georgina Bennett and Virge Gilchrist.
THE BALLOON from THE GLOWING HOURS by Paul Young starring Maya Beresford, Georgina Bennett and Virge Gilchrist.
À LA FIN JE M’ENDORS from the film NUIT BLANCHE. Written and directed by Franchin Don. Produced in VR 360º by PsychoVR / KOI FILMS.
Mood One – Music composed for Stefano Tartini.
Scene from the film ESPION(S) by Nicolas Saada starring Guillaume Canet, Géraldine Pailhas and Stephen Rea, cue co-composed with Cliff Martinez.
Cue for the film ESPION(S) starring Guillaume Canet, Géraldine Pailhas and Stephen Rea, directed by Nicolas Saada, co-composed with Cliff Martinez.
Maps To The Stars Official Trailer – Written and directed by David Cronenberg starring Julianne Moore and Robert Pattinson.
VOUS AURIEZ DU FEU? from the film FISHTANK written and directed by Clayton Burkhart.
THE PEOPLE’S REPUBLIC OF CAPITALISM – Title theme for Koppel on Discovery series about China. Co-written with Cliff Martinez and features some of my screaming guitar work.
ORPHEUS DESCENDING is an impressionistic angle on the fable through the bent psyche of director Clayton Burkhart. There is no dialog, the entire film is electro-acoustic ambient sound design. I also edited 10 hours of live audio caught on the streets of New York and integrated it into the film. Beautifully filmed entirely at night on 35mm film with a hand made camera of cinematographer Dan Salzmann’s design. A truly ambitious project in the name of art.
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